Create Custom T-Shirts

Sunday, April 19, 2015

REV KONTAKT


REV is not a “reverse” button like the one on your DAW or sampler.
It’s a world of sound design for producers, composers and musicians based on reverse elements. Packed into 4 powerful engines with over 14gb of content, REV includes complex synths, real instruments, multi-layered organic pads, loops, rises, pulses, swells, stutters and more. ALL sounds can be locked to tempo. With over 20 glowing reviews from notable magazines and blogs, REV has consistently been hailed as “inspiring” & “creative”. We invite you to watch some of the videos below and see for yourself.
1,000+ Reverse Instruments 
Over 1,000 presets all playable in reverse and in real time. Use any of the built-in presets or start from scratch and build your own. Even feel free to share them with other REV users.
Play Free or Lock to Time
All instruments can either be played freely or locked to a time. Notes can be set to whole note, half note, or quarter note duration.
Live Recorded Loops
The loops engine gives you thousands of possibilities all of which were recorded live. All loops lock to tempo, are adjustable by speed and are spread across two octaves. Play multiple loops at once, add stutters, filters or fx to make it your own.
Perfectly Timed Rises
Rises can be used in a variety of different genres and are very prominent in electronic music, trailer music or any song that needs a nice build up or transition. Rises come in all forms and are adjustable by key and speed. Just like the other engines the REV rises engine does all of the work for you by locking to tempo so you don’t have to do any manual editing.

Stutters, Filters & FX
Break up and customize your patches significantly with built-in volume and pitch stutter FX. These can be synced to tempo or adjusted freely. Also comes with built FX and FX presets which let you customize filters, envelopes, distortion, saturation, lo-fi, chorus, delays, reverb, EQ & more. These can all be automated and alsotriggered by keys on the keyboard.
v1.0 LiNKS:
UPDATE v1.1 LiNKS:

Ableton Live 9 Suite v9.1.8 x86 x64 WiN and Portable

Create, produce and perform. Create ideas, make changes without stopping, and capture everything as you work. If you’ve used music software before, you’re already familiar with with one half of Ableton Live. Live’s Arrangement View is a familiar working space: time moves from left to right, while tracks are stacked vertically. But Live also features the revolutionary Session View: a unique sketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops – everything stays in sync. Almost everything in Live works in real-time – add, reorder or remove devices, play with Live’s flexible track routing and more – all without interrupting your creative flow.


Ableton Live Suite 9.1.8 x86 WiN PORTABLE: http://adf.ly/1FNCK9

P.A Complete All Bundle v3.1 WIN

Version 3.1 of the All Bundle makes it simple to evaluate each and every plugin offered by the PA. Version 3.1 also includes four brand new plugins, the Vertigo VSM-3 harmonic generator, the Maag EQ2, the Millennia NSEQ-2 equalizer and TCL-2 compressor/limiter. The Vertigo VSM-3 is a unique saturation/harmonic generatorthat combines the tone of a vintage processor with mastering quality sonic performance. The Maag EQ2, with its flexible mid band, is the perfect complement to the flagship Maag EQ4.


WIN:

Uploadedpart1: http://adf.ly/1FNA5U
Uploadedpart2: http://adf.ly/1FNAWx
Uploadedpart3: http://adf.ly/1FNAhz

Reference 3 Plugins v3.0.4.10 MAC OSX FULL

Most headphones are held back by physical limitations. We measure those limitations and create a digital profile to correct them through processing in a DAW plugin. With the advanced technology of our DAW plugin, you get these results with shocking simplicity and absolute accuracy. Tap into the full potential of your headphones!

INSTRUCTIONS :

? Run TrialDelete.command
? Run Sonarworks Reference 3.0.4.10.pkg
? Run Codesign.command try validate before use ..
? Have Fun !!

Enjoy the full version

note : command tools maybe need permissions ..use batchmode or
run terminal .app use chmod a+c command for permissions

Links:
MAC:

40,08 MB

bDSP Plugins Pack 2015.04.18 WiN MAC

The next logical step after releasing the loudness meter application, ALM 5.1, was to create an affordable, cross-platform loudness normalizing tool: the L-Normalizer. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments.
Content:
  • ALM.5.1.v2.0.1.MAC.OSX-R2R
  • ALM.5.1.v2.0.3.WiN-R2R
  • ALMx.5.1.v2.0.1.MAC.OSX-R2R
  • ALMx.5.1.v2.0.2.WiN-R2R
  • L-Normalizer.v2.0.1.MAC.OSX-R2R
  • L-Normalizer.v2.0.2.WiN-R2R

Links:
MAC:

8,08 MB

WIN:

8,14 MB


IL ALPHA Collection AU VST MAC OSX


Sytrus
Ogun
SliceX
Edison
Grossbeat
Harmor
Harmless
Maximus
Vocoder


MAC:

59,11 MB

TranQuilizr v1.7.3 VST x86 x64 WIN

tranQuilizr is an equalizer plugin with transparent sound and intuitive operations. Conventional digital equalizers are bound to conventional equalizer design method, such as bilinear transform, and brings equalizing curve distortion and unwanted sound coloring. tranQuilizr employs a new method on equalizer design and provides really transparent sound. Users are able to adjust tradeoffs between quality and CPU load by Quality parameter. tranQuilizr also offers flexible channel management; every band can be inserted on LR/L/R/M/S channels independently. Automatic Gain Compensation (AGC) enables gain control against total gain changes caused by equalizer bands.
Features
  • Unique transparent sound.
  • Six equalizer bands and Lo-/Hi-Cut filters.
  • All equalizer bands and filters can be put on a channel in Stereo(LR), Left, Right, Mid and Side.
  • Equalizer supports 20Hz to 30kHz center frequency, -24 to +24dB gain and 0.05 to 10 octave bandwidth.
  • Three equalizer types of different sound characters.
  • Filters support 1Hz-10kHz for Lo-Cut and 100Hz-30kHz for Hi-Cut.
  • On/off and solo switch for every band.
  • Automatic Gain Compensation (AGC).
  • Up to 1,536kHz internal sample rate.
  • Phase invert switch.
  • M/S balance adjustment.
  • Monitoring channels is selectable from Stereo(LR), Left, Right, Mid and Side.
  • Mouse-friendly paragraphic operation.
  • Small plug-in latency (64 samples).
  • Output gain.
Specifications
  • Compatible with VST format.
  • Works on Windows, both 32 and 64bit.
  • Employs 64bit floating-point internal precision.
  • Supports 44.1kHz to 192kHz sampling rate.
  • Supports 64bit floating-point plugin I/O for VST.
  • Latency Compensation (needs DAW’s support).
  • A/B Comparison.
  • Almost all parameters are automatable.
Links:
WIN:

18,92 MB