Wednesday, April 22, 2015

GSi Shake Pad VST v1.1-ASSiGN WIN

VST | 3.83 MB
ShakePad is a virtual multi-effect unit intended for real time sound manipulation via an X/Y pad. It includes 50 different high quality effect algorithms with full stereo operation. Summary of main features:
50 high quality stereo effects
X/Y Pad for multiple functions
Adjustable release time from 0 to 10 seconds with variable rest point
HOLD button
Dry/Wet slider
Real time parameter display
Host Automation
Easy MIDI Learn


Monday, April 20, 2015

Acon Digital PLUGINS PACK 2015.04.17


Harmogeddon KONTAKT


Well, I certainly hope that the result is not as disastrous, as it may sound :) From time to time I stumble upon some of my long time forgotten instruments to suddenly find the way to be used in a creative way, which is often not an easy task when using it live. Due its own flaws, or your own inability to use the instrument properly – you know it, you can play certain instruments very well, some to a certain point and some are better not to be touched – they are simply not your cup of tea. And this is the case with this one also – like my mandolin, which eventually ended like the “Old Mandolin” some of you may know, this one has been put away in a drawer for a long time. Not of the best quality, with me not being the best player.

– 779 MB installed
– 114 nki/nkm files (250 ncw files) in 4 categories of sounds
– harmonica in D with its flaws and imperfections
– 3 RR variations and 3 layers
– essential harmonica samples
– rich sound design category

– Filter, Cabinet, Lo-Fi, Flanger, EQ, Delay, Reverb, Attack, Release control

9000 Albino 3 Presets New Format FXP


All presets have now been converted to load into Albino3 with fl studio and a mouse weel click. you can also load them in using the plugin interface.

Drum Leveler v1.1.0 MAC OSX

Mac 5,69MB
Drum Leveler is a new beat detection-based downward and upward compressor/expander. By selectively applying gain to single drum beats, Drum Leveler easily achieves the desired target level for each beat, without affecting bleed noise or beats that are out of the user-defined processing range. Unlike traditional envelope-followers that detect incoming levels and utilize VCA to apply gain changes, Drum Leveler runs an advanced new algorithm that takes full advantage of the digital domain – allowing unparalleled control over your drums’ dynamics. Drum Leveler is powerful yet easy to use. It will help you achieve solid driving grooves, improve clarity and add punch to any percussive performance. Drum Leveler brings a new, radical approach to drum’s dynamics control. We’d like to encourage you to take the time and explore Drum Leveler to utilize its full power.
NOTES:This updated keygen ask for admin authorization at launch
so to have enough privileges to write licenses to /Library/Application Support.
This will solve problem a few user had with our previous keygen not saving licenses.


Chainer v1.1.0 AU VST AAX WIN MAC

Mac 565MB | Win 1.28GB
The P&M Chainer is a great new way to use your P&M Plug-ins and other VST software inside of your DAW. The P&M Chainer is a “FREE” plugin that natively hosts ALL V.I.P. series plug-ins and can therefore be used to “chain” up to 32 P&M effects within a patch. But once AUTHORISED, the P&M Chainer acts as a host application that can also load and “Chain” any VST effects and/or VSTi virtual instruments. Users can therefore use the Chainer to save great effect presets or any VSTi virtual instrument patches that can be recalled from any DAW at anytime needed.

For example, let’s say you are a guitarist and want to save typical sound patches. The Chainer enables you to load up to 32 effects in series or parallel. So you may want to load and save a compressor, an EQ, an Amp sim, a delay, a reverb, a chorus, etc, and save the whole thing within a patch that can be loaded in other sessions or even other DAWs. The same concept can be applied to vocal patches, drum patches, or any other typical effect chains that you want to recall in future sessions. A time saver ! Drag and Drop functionalities enables users to conveniently change the order of the effects and/or virtual instruments they load within the Chainer. A mixer section enables users to solo, mute and control the level, Mix and Pan of each effects or instruments loaded in the chainer. The chainer also provides convenient Spectrum, 1/3 Octave Graphic EQ, Phase and audio Waveform visualisation to control the audio signals processed within the Chainer…

– Convenient rack-based effect chaining.
– Multiple synths / effects racks with serial and parallel routing schemes.
– Custom displays for visualizing sound output.
– Includes AAX 64bit version for use inside of Pro Tools… a full featured VST wrapper.
– MIDI enabled plug-in that conveniently loads virtual instruments with amazing audio effects.

Chainer v1.1.0 Release Notes:
- Added built-in list of PM-plugins proprietary format.
– Added Uninstaller for Mac.
– Fixed LogicPro automation issues on Mac.
– Fixed Chainer issues in Reaper on Windows.
– Fixed Issues related to GUI updates on Windows.
– Fixed square symbols in scanner status text, that appeared on Windows.
– Fixed “Plug and Mix” empty folder in menu and duplicated selection in VST plugins.
– Fixed Chainer crashing on Ableton Live 32bit Yosemite.
– Fixed a crash which sometimes occur on Windows for Reaper x64 when we choose “Empty Preset” from menu.
– Fixed presets format in order to make presets compatible on different platforms.
– Fixed a crash when changing FFT Size.



Sunday, April 19, 2015

FL Studio 12 BETA 5 WIN

FL Studio is one of the world’s most popular and exciting music production systems. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.


Fully reworked scalable interface
– Any screen size or resolution you use, FL Studio will always fit
– Multi-touch capability extends to the Mixer.
– New category tabs and the ability to delete content on right-click
Channel Menu
– The Channel Options Menu have moved from the Toolbar Menus to the Channel rack.
Channel settings
– Have been integrated into the Plugin Wrapper (no more Channel settings pop-up). Pattern Menu
– The Pattern Menu has moved from the Channel rack to the Toolbar Menu and Pattern Selector.
Piano roll
– Piano roll Auto-zoom can now be deselected from Settings > General > Auto zoom in piano roll
– Multiple drag and drop for audio files onto Playlist (from a Windows file browser).
– Step sequences are now interchangeable with Piano rolls. VST Plugins
– VST plugin installation & discovery improved and simplified.
Fruity Formula Controller
– Updated, new UI.
Fruity Envelope Controller
– Updated, 8 Articulators, Mod X/Y env, Smart Knobs, New UI.
Fruity Keyboard Controller
– Attack smoothing, new UI.

OS : Windows 8, Windows 7, Vista, XP
Language : English

What’s new?:
11.5.16 (02/04/2015) Bugfixes:
Fixed freeze exporting NewStuff song
Patcher: fixed hidden latency labels
Plugin scanner: various fixes
Wrapper: fixed crash with two Fruity Balance instances (64bit)
Wrapper: fixed freeze with bridged FabFilter Pro-Q
Wrapper: fixed crash closing detached bridged window

FL Studio 12 BETA 5 WiN + MEDICINE:

GSXL4070 Parametric Equalizer VST WIN

GSXL4070 is a new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ’s), but it still has a very intense, rich and significant sound. GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each band. Ideal for mixing and mastering purposes. For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used. – British mix-console EQ “solid state electronics” style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.
- 4 fully parametric EQ bands:
LF – Low frequency, (20-500Hz)
LMF – Low mid frequency, (200 Hz – 3 kHz)
HMF – high mid frequency, (700 Hz – 12 kHz)
HF – high frequency ( 1.5 kHz – 20 kHz)
HP (High pass – Bass cut) filter 15 – 400 Hz bass cut with on/off switch with Q-control (bandwidth), attenuation/boost ( + / – 12db per band),
– Output Volume knob
– Bypass switch
– Preset manager


Epralux POD4500 – Particle Octaved Delay VST WIN

Perfect for experimental music styles, minimal, psychedelic sounds, chillout, glitch, futuristic movie music, all music styles… POD4500 is not delay like you know, it is something totally different. If you like progressive music genres like experimental, minimal, glitch, nu skool dnb, electrohouse, psytrance, chillout or if you are seeking for new original sound don’t waste your time and try DEMO of POD4500.

31 Band EQ VST WIN

Acoustica 31 Band EQ is a 1/3-octave graphic equalizer offering precise control over frequency content. Slider range is adjustable from 6dB to 24dB of boost and cut, and many presets are included to get you started.



Twin detunable waveform generators: blend between pure sines and erratic, complex eBow guitar strings. Three independent distortion types under LFO and envelope control for moving, shifting, evolving harmonic spectra Perfect for high-energy, aggressive synth sounds, or subtler tones with an unusual, airy edge Uproar takes theclassic subtractive synth architecture, turns it on its head, beats it up and calls its mother nasty names. The principle behind it is simple: instead of taking a complex, harmonically-rich waveform and progressively filtering it, Uproar starts with smoother waves and progressively distorts them – messing them up with saturation, distortion and bitcrushing modules until they reach whatever point of complexity you want. In doing so, it imparts a whole new character to ‘typical’ synth tones, and drifts easily into territory that a typical subtractive synth can’t really reach.

MasterQ2 v2.0.1 VST RTAS AAX x86 x64 WIN

5.55 MB
Usually mastering equalisers are solely focused just on equalization, but MasterQ2 is not merely a masteringEQ; the “Q” stands for “Quality.” We designed it to be a creative tool for mixing and mastering and wherever its features and quality are needed for the job. Yes, we can try to impress you with the features: it can operate at sampling rates ranging from 44.1 to 192kHz. It offers seven filters: 12, 24, and 36 dB/oct low cut and high cut filters; low shelf and high shelf filters which can be switched to peaking filters; and low-mid, middle and high-mid peaking filters— all with adjustable frequency and Q over a wide range. The EQ graph displays an overview of the EQ curve, as well as the individual characteristics of each filter. In addition to its powerful filters, PSP MasterQ2 also offers you a selection of limiting and “soft- clipping” algorithms to help you shape your signal and keep it from digitally peaking.
And yes, we can blind you with the technical details: PSP MasterQ2 employs 80-bit extended floating point computations in all filters to deal with accumulation errors. It also allows for optimal filter operation at even the lowest frequencies with high gain and Q factor settings. PSP MasterQ2, uses our proprietary FrequencyAuthentication Technique algorithm. FAT is a double sampling technique which allows for proper filter operationat the highest frequencies. FAT utilizes high order linear filters to prevent phase errors and linear errors from the audio bandwidth caused by double order sampling. This technique results in double sampling without sample rate conversion artifacts.
But we’d rather you experience it for yourself. Use it as a precise, surgical EQ for mastering or a color processor for sound design and mixing. Once you try it, you’ll understand what a creative sound shaping tool the PSP MasterQ2 can be.
Whats new in v.2.0.1Fixes:
SatSoft and SatHard had improper gain reduction measurement without MakeUp button engaged.
Flickering GUI on some Macs running on OS 10.10.
Graph in +-4dB scope did not appear correctly after loading of a session in Reaper.
Various crashes including crashes when automation engaged in Reaper.
Level slider now refers only to the selected – equalised channel.
Gain resolution shown under knobs and sliders has a reduced precision for an easier reading and operation.
Channel Selector, Balance, Width, Level are no longer a bank (shared for all presets) parameters.
Anty DC filters added for Analog mode.


REV is not a “reverse” button like the one on your DAW or sampler.
It’s a world of sound design for producers, composers and musicians based on reverse elements. Packed into 4 powerful engines with over 14gb of content, REV includes complex synths, real instruments, multi-layered organic pads, loops, rises, pulses, swells, stutters and more. ALL sounds can be locked to tempo. With over 20 glowing reviews from notable magazines and blogs, REV has consistently been hailed as “inspiring” & “creative”. We invite you to watch some of the videos below and see for yourself.
1,000+ Reverse Instruments 
Over 1,000 presets all playable in reverse and in real time. Use any of the built-in presets or start from scratch and build your own. Even feel free to share them with other REV users.
Play Free or Lock to Time
All instruments can either be played freely or locked to a time. Notes can be set to whole note, half note, or quarter note duration.
Live Recorded Loops
The loops engine gives you thousands of possibilities all of which were recorded live. All loops lock to tempo, are adjustable by speed and are spread across two octaves. Play multiple loops at once, add stutters, filters or fx to make it your own.
Perfectly Timed Rises
Rises can be used in a variety of different genres and are very prominent in electronic music, trailer music or any song that needs a nice build up or transition. Rises come in all forms and are adjustable by key and speed. Just like the other engines the REV rises engine does all of the work for you by locking to tempo so you don’t have to do any manual editing.

Stutters, Filters & FX
Break up and customize your patches significantly with built-in volume and pitch stutter FX. These can be synced to tempo or adjusted freely. Also comes with built FX and FX presets which let you customize filters, envelopes, distortion, saturation, lo-fi, chorus, delays, reverb, EQ & more. These can all be automated and alsotriggered by keys on the keyboard.
v1.0 LiNKS:

Ableton Live 9 Suite v9.1.8 x86 x64 WiN and Portable

Create, produce and perform. Create ideas, make changes without stopping, and capture everything as you work. If you’ve used music software before, you’re already familiar with with one half of Ableton Live. Live’s Arrangement View is a familiar working space: time moves from left to right, while tracks are stacked vertically. But Live also features the revolutionary Session View: a unique sketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops – everything stays in sync. Almost everything in Live works in real-time – add, reorder or remove devices, play with Live’s flexible track routing and more – all without interrupting your creative flow.

Ableton Live Suite 9.1.8 x86 WiN PORTABLE:

P.A Complete All Bundle v3.1 WIN

Version 3.1 of the All Bundle makes it simple to evaluate each and every plugin offered by the PA. Version 3.1 also includes four brand new plugins, the Vertigo VSM-3 harmonic generator, the Maag EQ2, the Millennia NSEQ-2 equalizer and TCL-2 compressor/limiter. The Vertigo VSM-3 is a unique saturation/harmonic generatorthat combines the tone of a vintage processor with mastering quality sonic performance. The Maag EQ2, with its flexible mid band, is the perfect complement to the flagship Maag EQ4.



Reference 3 Plugins v3.0.4.10 MAC OSX FULL

Most headphones are held back by physical limitations. We measure those limitations and create a digital profile to correct them through processing in a DAW plugin. With the advanced technology of our DAW plugin, you get these results with shocking simplicity and absolute accuracy. Tap into the full potential of your headphones!


? Run TrialDelete.command
? Run Sonarworks Reference
? Run Codesign.command try validate before use ..
? Have Fun !!

Enjoy the full version

note : command tools maybe need permissions ..use batchmode or
run terminal .app use chmod a+c command for permissions


40,08 MB

bDSP Plugins Pack 2015.04.18 WiN MAC

The next logical step after releasing the loudness meter application, ALM 5.1, was to create an affordable, cross-platform loudness normalizing tool: the L-Normalizer. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments.
  • ALM.5.1.v2.0.1.MAC.OSX-R2R
  • ALM.5.1.v2.0.3.WiN-R2R
  • ALMx.5.1.v2.0.1.MAC.OSX-R2R
  • ALMx.5.1.v2.0.2.WiN-R2R
  • L-Normalizer.v2.0.1.MAC.OSX-R2R
  • L-Normalizer.v2.0.2.WiN-R2R


8,08 MB


8,14 MB




59,11 MB

TranQuilizr v1.7.3 VST x86 x64 WIN

tranQuilizr is an equalizer plugin with transparent sound and intuitive operations. Conventional digital equalizers are bound to conventional equalizer design method, such as bilinear transform, and brings equalizing curve distortion and unwanted sound coloring. tranQuilizr employs a new method on equalizer design and provides really transparent sound. Users are able to adjust tradeoffs between quality and CPU load by Quality parameter. tranQuilizr also offers flexible channel management; every band can be inserted on LR/L/R/M/S channels independently. Automatic Gain Compensation (AGC) enables gain control against total gain changes caused by equalizer bands.
  • Unique transparent sound.
  • Six equalizer bands and Lo-/Hi-Cut filters.
  • All equalizer bands and filters can be put on a channel in Stereo(LR), Left, Right, Mid and Side.
  • Equalizer supports 20Hz to 30kHz center frequency, -24 to +24dB gain and 0.05 to 10 octave bandwidth.
  • Three equalizer types of different sound characters.
  • Filters support 1Hz-10kHz for Lo-Cut and 100Hz-30kHz for Hi-Cut.
  • On/off and solo switch for every band.
  • Automatic Gain Compensation (AGC).
  • Up to 1,536kHz internal sample rate.
  • Phase invert switch.
  • M/S balance adjustment.
  • Monitoring channels is selectable from Stereo(LR), Left, Right, Mid and Side.
  • Mouse-friendly paragraphic operation.
  • Small plug-in latency (64 samples).
  • Output gain.
  • Compatible with VST format.
  • Works on Windows, both 32 and 64bit.
  • Employs 64bit floating-point internal precision.
  • Supports 44.1kHz to 192kHz sampling rate.
  • Supports 64bit floating-point plugin I/O for VST.
  • Latency Compensation (needs DAW’s support).
  • A/B Comparison.
  • Almost all parameters are automatable.

18,92 MB